The question was whether the famous Broek in Waterland samplers, typically created by girls around the ages of 10-11, were their only needlework. Was there more? As suspected, there was! The later work likely involved whitework, a fashionable technique to practice at the time. These pieces are rare, often undated, and rarely signed, leaving us puzzled. They were often mistakenly attributed to the isle of Marken until the whitework sampler by Immetje provided evidence of what